Controversial Nigerian singer Habeeb Okikiola, better known by his stage name Portable, has once again stirred the entertainment scene by making a bold claim about his music career.
In a recent social media video that has gone viral, the “Zazu” crooner declared that he has produced more hit songs than his internationally acclaimed colleague Burna Boy, the Grammy-winning artist widely recognized for his contributions to the Afrobeat genre.Portable, known for his energetic personality and outspoken nature, was quick to stress that his statements were not intended as boastful.
Instead, he maintained that he genuinely believes he has a stronger track record when it comes to hit-making than Burna Boy.
He emphasized his confidence in his music and in the reception of his songs, which he argues resonate deeply with the Nigerian audience, particularly among street music fans and the grassroots listeners who celebrate his raw, unfiltered style.
Portable’s assertion has sparked widespread debate online, with fans and critics alike weighing in on his controversial claim.
Burna Boy, whose music career has spanned over a decade, has received widespread international recognition, achieving significant milestones that include a Grammy Award for his album “Twice as Tall” and nominations for other prestigious awards.
Burna Boy’s music often combines Afrobeat with elements of reggae, dancehall, and hip-hop, appealing to a broad audience both within Africa and globally. His songs, like “Ye,” “Last Last,” and “Anybody,” have garnered millions of streams and are regarded as groundbreaking hits that have contributed to the global rise of Afrobeat.
In contrast, Portable’s fame primarily comes from his popularity within Nigeria’s street music scene.
He first rose to prominence with his breakout hit “Zazu Zeh,” which quickly became an anthem across Nigeria and parts of West Africa. Portable’s music, often categorized as street hop or fuji-fusion, incorporates raw and vibrant street language, capturing the realities of life in Nigerian neighborhoods.
His songs often center on themes of survival, success, and resilience, resonating particularly with those who identify with his rugged style and background.
While Portable’s unique approach has gained him a dedicated fan base, many observers argue that comparing his career to Burna Boy’s could be premature, considering Burna Boy’s extensive discography and influence on the global stage.
However, Portable’s supporters point out that his music reflects a different type of success, rooted in Nigeria’s local music culture and street credibility, which they argue is equally valid and significant within the Nigerian context.
This comparison has fueled discussions about what defines a “hit” in Nigerian music culture. Some fans argue that popularity within the local scene can be just as meaningful as international acclaim.
Others, however, feel that Portable’s comments overlook the global impact and artistic versatility Burna Boy has achieved, distinguishing him as one of Africa’s most influential music icons.
Portable’s remarks are consistent with his bold persona, as he often uses his platform to make headlines with unapologetic statements about himself and his music. Known for his willingness to address controversies head-on, Portable remains undeterred by criticism and firmly stands by his statement, even as debates rage on.
Ultimately, Portable’s assertion that he has more hit songs than Burna Boy reflects the ongoing conversation within Nigerian music about recognition, authenticity, and what it means to be a successful artist.
Whether his claim holds up to scrutiny or not, it highlights the complexities of Nigerian music culture and the different ways artists connect with their fans.
